"His documented, witnessed encounters with Humans from other planets made him one of the most fascinating people of the twentieth century and lead to a lifetime of dedication to this subject."
In the last years of the 1940's, George Adamski was one of the very first people to publicly reveal his encounters and experiences relating to the UFO phenomena.
Through his devotion and courage to speak, he personally became responsible for pioneering the movement towards establishing greater public awareness and education regarding the existence of extraterrestrial life.
George Adamski supported his experiences with exceptional UFO photographs and color motion picture footage of these crafts in action throughout the world. His documented, witnessed encounters with Humans from other planets made him one of the most fascinating people of the twentieth century and lead to a lifetime of dedication to this subject.
He was invited to lecture before royalty, ecclesiastical leaders, political bodies, military groups and the scientific communities. His keen interest in outer space and the development of mankind took him to all corners of the globe. Guided by common sense and his love for life, he bravely presented his experience and proof before all who would listen. Through honesty, he shed light, logic and reason on the realty of intelligent extraterrestrial life and their reoccurring visitations to our planet.
Just the Facts Please ….
The Adamski photographs, including his exceptional 16mm motion picture film footage, were taken between the years of 1949 through 1965; long before any sophisticated film technology and processes existed, including any computers or manipulative and altering software programs. Today, absolutely anything can be manipulated, created and altered, and often is. However, the combined strength behind the original Adamski negatives, their known age and history, subsequent examinations, and successive decades of thousands of these similar crafts sighted and photographed worldwide, has, and continues, to PROVE the authenticity of Adamski’s materials.
Comparison with the 1952 Photos – Timothy Good 1983 (edited)
A number of researchers have denounced Adamski’s famous ‘Scoutcraft’ as a crude fake, with descriptions of ‘model’ used to cover a wide range of utensils: ‘lampshade’, operating theatre lamp’, ‘saucepan lid with ping pong balls’, tobacco humidor’, chicken feeder’, chick brooder (Prof. Menzel), ‘top of canister-type vacuum cleaner, and ‘bottle cooler’. In the later example, (GAF: as is so often the case after ridiculous accusation are made and intentional damage is circulated) the actual designer, Mr. Frank Nicholson, heard the false misrepresentation and came forward explaining that he had modeled the bottle cooler years AFTER the Adamski photos were published. TO THIS DAY, NO ONE has produced any utensil or model which, when photographed, resembles ‘proportionately’ the real craft photographed. Adamski offered $2000 in 1950s Dollars, which was a substantial sum then, to anyone who could prove his photos as fakes …. (GAF: While over the years, there have been many who have shot off wild accusation, without any verifiable substance), there otherwise has been no takers with any credibility scientific evidence proving the Adamski photos to be otherwise then what they really are – photographs of 3 dimensional aerial space crafts.
In the Publication, Flying Saucer Review, Desmond Leslie noted, “anyone with experience of telephotography who has obtained an original print made from the original Adamski negatives will at once notice a factor that has to be taken into account by all film directors using models to represent the full-size objects – a factor known sometimes as ‘atmospheric softening’. This phenomenon is due to moisture and dust in the atmosphere so that is impossible to match up a foreground model with a distant background (however sharp your depth of focus) unless certain partial gauzing and screenings are used. The effect through a telephoto lens is to produce a certain graying and flattening which is practically “impossible” to reproduce artificially. Tele-photography also slightly alters the perspective, hence the flattening and graying effects clearly noticeable in Adamski pictures ….”
Photographic Processing Lab Affidavit
• John Ford, the famous Hollywood Director was given some of the Adamski enlargements and stated, in his opinion, the saucers were large objects, shot through a telephoto lens of about six inches focal length.
• These finding were confirmed by Joseph Mansour, Chief of Jetex Model Aircraft, whose job it was to make photographs from models aircraft attempting to make them look real. He stated that in his opinion, Adamski’s photos were not models, but large objects about 30 feet or so in diameter. (Adamski described these crafts to be 33 feet in diameter, and later optical analysis of the Adamski photos against others by Leonard Cramp proved their accurate dimension and size).
• Cecil B. De Mille’s top trick photographer, Pev Marley, declared that IF Adamski’s pictures were fakes; they were the best he had ever seen.
• In England, fourteen experts from the J. Arthur Rank Company concluded that the objects photographed by Adamski were either real, or a ‘Full Scale Model’. (GAF: Later, examination of the Adamski property was made and no possible means of producing or suspending a full-scale model could be ascertained. And of course, as already proven, the graying effect from Telescopic photography cannot be faked either.)
• In 1955, the famous TV astronomer Patrick Moore (whom Adamski successfully debated several years later) told Leslie that he too had seen a set of photos of a ‘scout ship’ superior to those of Adamski and Darbinshire, and orthographically identical to those taken in England by Allingham in Scotland in 1954. Another famous American Astronomer, who wished anonymity, had allegedly took these photos through a telescope.
• Additional Compelling Evidence
• Jim Diletoso, computer photographic analyst, “ Regarding the Adamski photos, there is no ‘proof’ of a hoax, in fact there is NO photogrametric or computer analysis of the Adamski case indicating a small object or a hoax. People say what they say, quoting a rumor as truth, or convert their opinion to scientific data. Issues in image analysis are very precise. Small objects have very different properties from large objects. In particular, the edges and the light distribution on the surface. I have examined over 1000 photographs (unknowns) in 25 plus years, including over 50 controlled objects (models). I use advanced tools, extract data from the unknown and compare it to data of known. If no match, - its an ‘unknown’.The properties of the Adamski craft do not match those of a small model, or optical overlay, or a hoax. Technically speaking, there is no indication of a hoax.
• Leonard Cramp, M.S.I.A, Scientist & Engineer: Space, Gravity and the Flying Saucer, 1955 “In the light of these facts, there seems to be no room for further doubt. We are forced to admit that the Coniston sightings (Darbishire 1954), and others (Potter 1953), there is adequate proof that Adamski is telling the truth when he says that he has photographed a space ship from another world.”
• Leonard Cramp, M.S.I.A, Piece to a Jigsaw, 1966
INSERT …. William T. Sherwood, optical engineer, Eastman Kodak 1965.
T.T. Brown, Agnew Bahnson, James King Connection.
In 1957, T.T. Brown and Agnew Bahnson met with George Adamski with the
hope of reproducing the electromagnetic propulsion system exhibited
in the Extraterrestrial spacecrafts he had been aboard. In his lectures,
Adamski had explained, very much like Nicola Tesla had decades earlier,
that all planets are giant generators of electricity, akin to a
planetary scale Van De Graff Generator. Like the elliptical waves
generated when a pebble is dropped into placid water, this immense
energy field produced within our planet also radiates out into space,
and carries a unique frequency signature. Harnessing this ‘free
energy’ provides not only a means to successfully travel the
distances of space, but also provides a means to power all energy
consumption for any world’s population as well. (GAF: Several
reproductions of such devices to harness this energy have been successful
over the decades since, all remain confined from the publics knowledge
and reach for obvious reasons. See Basil Van De Berg)
Some have made the accusation that Adamski acquired the idea and
shape for his UFO photographs from T.T. Brown / Bradford Shank and
associates in 1952. However none could ever supply ‘any documentation
or evidence’ that would link the two. Of course, one need
only to recognize that Adamski photos dated as early as 1950 a full
two years prior to the Brown/Shank experiments and did not meet
with T.T. Brown and company until 1957.
• From the Memoirs of Mrs. Alice K. Wells, a long time friend and associate of Mr. & Mrs. Adamski, dating back to the 1930’s, “ Dr. Joseph Johnson, son of Mrs. Lolita Johnson who gave George his first 6 inch telescope in Laguna Beach in the 1930s, was an instructor at Cal Tech Pasadena. Dr. Johnson was involved in mapping the sky for the placement of the Hale 200 inch telescope for the Mount Palomar Observatory to be installed. Whenever possible, George Adamski spent many evenings with Dr. Johnson, discussing a great deal about space.”
• Interview with Ronal Florence, Palomar Historian and Author, “When the big mirror for the Palomar Telescope was brought up in 1947, it was set on a concrete platform, that still sits by the observatory today (On the west side). In a playful mood, Astronomer Olin Wilson placed a ‘carefully’ lettered sign on the platform that read, ‘This flying saucer, drawn here by the light gathering power of the 200 inch telescope, has brought visitors from other worlds who are currently guest of the government.’ ….. The sign was later removed when a visitor complained.
• In 1958, world-renowned archeologist, Professor Marcel Homet, in his book, The Sons of the Sun, published findings into ancient civilizations in Brazil and along the Eastern slopes of the Andes. Included were a series of petroglyphs, discovered in the area known as the Pedra Pintada and believed to exceed 10,000 years of age. One series of these petroglyphs, resemble by nearly 80% those engraved upon a photographic plate and given to Adamski in 1952 by his space contacts, a full six years earlier. Professor Homet said, “ Although I shall be destroying a great deal of the current theories about the world of antiquity, I have never found Adamski to be untruthful. I read Adamski’s book before the publication of my own book and was surprised to find the same symbols, but in another order. Only the Oval is completely identical to Adamski’s.” Prof. Homet went on to add that Flying Saucers were not his field of interest or expertise.
• UFO-logy, Jay-Mac press, 1973. NASA Scientist, Dr. James McCambell. “With the exception of a single instance … all encounters … were preceded by an incident in the California desert. On Novermber 20th, 1952, a witness met a strange man, ‘face to face’ in broad daylight that was described as ‘completely human’. In other words, the composite picture of normal sized UFO pilots seen on at least 83 occasions between 1952 and 1968 confirms the image of this class as described by the witness George Adamski. As the witness, George Adamski, thoroughly anticipated numerous unrelated events around the world. For two decades, he has either accurately described a personal observation, or he was one of the best prophets of modern times. Other portions of his writings deserve to be scrutinized for information about UFOs.”
Between 1954 & 1955 – George Adamski released information from both his own experiences and that extended from his space contacts.
• There are belts of radiation extended from our planet into
space. They were later discovered 1958 and named after James Van
Allen – Van Allen Radiation belts. http://en.wikipedia.org/wiki/Van_Allen_radiation_belt
• That year, he also passed along information that there
were more than nine celestial bodies in our solar, and that there
were actually 12. In 1977, Soviet scientist confirmed this, and
then again in this decade of the year 2000, U.S. scientist also
Portuguese & Brazilian Article